PIONEER MODEL
Its revolutionary model resolved the handicaps faced by this duplicable means had in its early decades, providing guidelines for a clear, solid and extremely attractive market thanks to the appropriate sale, distribution, collection, and online divulgation of audiovisual art.
ONLINE MARKET LEADER
The international edition standards introduced by VideoArtWorld allowed artists to combine the sale of a limited set of original editions along with the distribution copies for public exhibition rentals, clarifying the rights and licenses that each edition had, paving the way for the boom of the most vital means of expression of the XXI Century.
VIRTUAL ARCHIVE
Over a hundred galleries from all over the world presented their audiovisual inventory, while curators, collectors and general audience could easily access works in their lines of interests. The archive included reviews of over 1,200 authors relevant to the history of moving images, from which almost half were contemporary artists. The platform exhibited over 500 contemporary audiovisual artworks from all over the world, providing a elaborated overview of the evolution of this means of expression.
WORLDWIDE SCOPE
Its online platform constituted the leading online archive for the international audiovisual art market worldwide.
AFFAIRS
Strongly focused on establishing the value of audiovisual art and its historical significance, VideoArtWorld developed numerous exhibitions, specialized fairs, festivals, publications, conferences, and symposiums for some of the most important art venues in the World. Some of them can be viewed at www.imageryaffairs.com
IDEOLOGY AS ART
WORDS THAT CHANGE THE WORLD
Essay for Angie Bonino solo show in Museo de Lima, Peru
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